This band traces back to 2023 for me when I heard the song “Sicker” off their debut album Breathe. That track was full of some furious guitar work and a heavy, thundering rhythm groove. I have not followed along in their progress as closely as I probably should have but I did get a chance to hear their 2024 EP eup•nea which has some very nice acoustic versions of five selections off that debut album.
Although much of Melonball’s music has political overtones and foundation (which everyone can have their own opinion about of course) the solid musical arrangements of the songs and skills of the musicians are always on display. This particular track (part of their upcoming album Take Care) is a step away from their more prominent themes as it centers specifically on personal relationships. The song has a classic clean vocal intro with a simple backing melody that feels very exposed and unguarded. After about forty seconds it jumps into a fast, drum heavy cycle that is like a rush of hectic adrenaline. Oli’s vocals are as powerful as ever throughout the song and do a nice job of alternating between vulnerability and boldness. Overall, this is a great rocker with a bit of a punky edge to it.
Album to be released via Thousand Islands Records / Rookie Records on February 27th
Vote here to nominate this for my best of 2026 list:
Musicians on this are: Oli (vocals), Tommy (drums), Basti (guitar, backing vocals), Jens (bass) and Vik (guitar, backing vocals)
Just a few ideas if you have the time: purchase music when you can as streaming does not pay much even times a thousand, support and get to know your local community, live well and be a good neighbor 🙂
Always watchful for new music from this great San Francisco band I caught this single when it dropped on January 23rd and have been having a good time listening to it. As with all things Tess & The Details this track is packed with plenty of energy, volume and edginess. There is some very nice guitar work on this one that really punches through a tight and loud rhythm section. The vocals are delivered by Tess Stevens with a soft tone that belies the message being delivered. Overall, this is a song with a brash, pop-punk groove that will quickly have you stomping your feet and singing along.
Vote here to nominate this for my best of 2026 list:
Please let me know your opinion also in the comment section below
Just a few ideas if you have the time: purchase music when you can as streaming does not pay much even times a thousand, support and get to know your local community, live well and be a good neighbor 🙂
Getting the email from Mike at Earshot Media about this single dropping on January 20th was one of those strange coincidental moments. I had actually been listening to Classy Punk for Trashy People (Crimson Riot’s 2019 album) a few days before it arrived. That all came about courtesy of yet another Apple Music “chase the next suggested band” session after I had started with the great Minneapolis group Banner Pilot (jump on Collapser when you get a chance). After a couple more turns I arrived at Classy Punk and was pretty impressed both with the unique quality of Gunn’s voice and also the straightforward direction and clarity of sound that only a talented three piece band can deliver. I picked that album up on Bandcamp and had looped through it a few times when I got the chance to hear this new release.
“Cross The Line” has one of those great soaring guitar beginnings that gets you pumped up right away. It steps down just a little bit for the verse bars although the rhythm groove from a very punchy bass and choppy drum line keep much energy flowing. The vocals are delivered with Gunn’s characteristic strength and edginess to round out a well-crafted alt-punk song.
One more quick recommendation about this band – check out “St James Gate” (off 2020’s It Took An Apocalypse) …yes, it is another song about Guinness and related stuff but this one is quite good…have not heard the entire album yet but I will be hoping to get to it soon.
Vote here to nominate this for my best of 2026 list:
Musicians on this are: Chris Reject (bass, vocals), Roxy Gunn (guitar, vocals) and Ryan J (drums)
Stream this now in your usual places and check the video:
The full album (via Leg Lamp Records) is due to drop March 20th – Pre-order for Third Time’s A Charm now open here:
Just a few ideas if you have the time: purchase music when you can as streaming does not pay much even times a thousand, support and get to know your local community, live well and be a good neighbor 🙂
Photo by Jess Jacob / Album artwork by Jolien Wilke
I had a pretty cool moment on a recent Tuesday when Mike from Sweet Beef Agency in San Diego reached out to me with a chance to preview this album (which has since been released on 01.30…no waiting for you if you want to check it out right away). As this was a new artist to me the brief bio Mike included on Berang was a big help. This is a solo project of Belgian singer-songwriter Bert Janssens who “plays heartfelt indie folk with a punk soul.” That sounded like an interesting combination to explore so away I went on several run throughs of this release.
There is a definite folk music heart to all of the songs on Does It Ever Get Better? Even when the tempos are up a bit you can feel it coming through. The lead-off track “The Least Fortunate Timeline” has an eerie, almost mystical first twenty seconds before a yearning vocal cuts in over electrical guitar. Drums soon follow and this one runs on a pretty punchy rhythm the remainder of the way with just a few pauses that almost seem like moments of reflection.
The next two tracks, “Specific Ways of Being” (a boisterous number that fits right into the alt-rock genre) and “Valère” (heavier guitar tone here and pointed lyrics…and those drums are awesome!) lead you to “Don’t Keep Your Soul So Close.” This song is a change of gears that steps down the volume considerably and simplifies the instrumentation. I think it plays well in this spot on the set list and hands off well to “You’ll Be Alright,” which is a softer tune also and has a light, charming melody. Standby for a bit of a ten second cosmic breakdown though around the 2:40 mark…a super interesting moment you are going to have to listen to for yourself to understand.
The second half of the album kicks off with the title track which comes in with a bit of a punky edge and then runs in a pop-rock groove the rest of the way. There is a nice little harmonica moment on this one also and overall it is one of those songs that sticks with you after listening. Next up is “Safe and Satisfied” (a breathy ballad focused around a soft, looping acoustic guitar melody) followed by “A Form of Encouragement” (an infectious, guitar-charged number that I took positive energy from…although I have not quite figured out if it is intended that way…I’ll keep listening).
Next up is “Fair Winds and Following Seas” a track with a dual-personalty that I think is great and which makes it my favorite on the album. This is very much a simple folk song for the first 1:36, slow tempo and a poignant, heavy guitar sound with heartfelt vocals. It can kind of lull you into a dreamy world which is swiftly turned around via a short bridge (distorted guitar and thundering drums) that transforms the music. The second half of this song comes out fast and loud, overlaid by a buzzy, warm bass line. A very cool example of how you can use song arrangement and composition to achieve a unique result and a great song. The album closes out with “Support Of Any Kind” which is a pretty straightforward alt-rocker with some nice guitar moments added in. It serves as a nice coda, echoing the general groove of the album while adding a touch of nostalgia and hope.
This album is a noteworthy release and one that I think you will enjoy if you give it a listen. Berang is clearly an artist with a lot of “real person performing meaningful music with conviction” running through his veins. I will be keeping my ears open going forward.
If you have an extra hour to check it out there is a video on YouTube of a live stream with Berang – pretty cool to watch. It is definitely a solid singer-songwriter set and the sincerity as he performs is notable. You can even see and hear some of the “punk spirit” referenced at the top of this review. The video also includes some backstory for songs on Does It Ever Get Better?
Vote here to nominate this for my best of 2026 list:
Additional musicians on this: David Van den Bosch (drums) and Maarten Iterbeke (bass)
Just a few ideas if you have the time: purchase music when you can as streaming does not pay much even times a thousand, support and get to know your local community, live well and be a good neighbor 🙂
My first exposure to this band was back sometime in 2018 or 2019 when I heard “Casualty Friday” off the 2015 album Appetite for Reconstruction. That song was highlighted by a very heavy rhythm groove that lent a bit of a doom vibe to what is already some great thrash metal sounds. That track, and the entire album itself, has a bit more of a stripped down feel to it and lacks (for better or worse depending on your POV) some of the added chaotic refinement of their later work. Another song (which I consider to be one of their all-time best) on Reconstruction is “Knuckleduster” and includes the fantastic lyric:
“So pardon me for choosing sides, I put the I in team, It’s amazing how jealousy can turn self- preservation into vanity.”
The upcoming album from SkyTigers …Injustice For All is set to drop February 6, 2026 (on Sound Investment Records) and I had the good fortune to preview it through Mike Cubillos at Earshot Media. To describe this album as twenty-five minutes of unrelenting fury would be a severe understatement. The first single “Immortelevision” is available now and you should check it out (see below) for an introduction to what this band is bringing to the table this time around. The energy comes from all sources here with passionate vocals, driving drums, loud distorted guitars and a power-packed bass line. The nine songs are a bit chaotic for sure but it has structure and definition also…a good balance that gives you all the power without becoming a jangled up mess (…and we know…it can happen if you are not careful…). A couple other favorites of mine on Injustice are: “Rubble Without a Cause” (cool sonic opening moments and the guitars are just fantastic) and “Spared No Expense” (clear, prominent vocal line and very nice guitar solo included). They also bring back “Casualty Friday” here and it is a nice redux (even though I prefer the original but I am always stuck in vintage land as we know…).
Just a few ideas if you have the time: purchase music when you can as streaming does not pay much even times a thousand, support and get to know your local community, live well and be a good neighbor 🙂
Having spent plenty of time listening to Sidereal Days (Day 1) since it came out I was excited to see the press release from Dreamspider Publicity on January 23rd that this new single had dropped. Also, even though the actual release date for the full Day 2 album is currently September 25th my understanding is that there will be a single out each month until then…so definitely something to look forward to along the way.
You only have to read the list of musicians (below) to understand you are in for a treat and pushing play brings that thought to life. The music here is delicately crafted, gentle in tone but with a sharp acoustic melody poking through like pinpricks of pain. The big acoustic bass plays so well in this song also, a heartbeat offset by the drum line. Like all of Scorzari’s lyrics the ones here are right from the heart, raw and stark as they weave a story of love lost.
This is a great first single to hear off of Sidereal Days (Day 2) and I will be looking forward to more music from the album soon.
Musicians on this are: Bill Scorzari (acoustic guitar, vocals), Erin Rae (harmony vocals), Marie Lewey (backing vocals), Cindy Richardson Walker (backing vocals), Juan Solorzano (pedal steel), Danny Mitchell (piano, Hammond B3 organ), Chelsea McGough (cello), Eamon McLoughlin (violin), Michael Rinne (upright acoustic bass) and Neilson Hubbard (drums, percussion).
Just a few ideas if you have the time: purchase music when you can as streaming does not pay much even times a thousand, support and get to know your local community, live well and be a good neighbor 🙂
Sometimes it can be very cool to step back into a musical moment from your past and re-experience a bit of those special rhythms, grooves and beats. This new single from ghostbells has some good fresh energy to it but definitely throws back to the electronic dance sounds of the 80’s. The first couple of times listening to this song I had a few flashbacks to some rather interesting times in Tijuana. All of those nights were fueled by entrancing waves of bass and synthesizer played loud and accompanied by those wonderful flashing stage lights. This track has all the heavy rhythm you could want blended well into a relentless techno framework.
This band was new to me and they have a pretty cool back story on getting to this point in their journey. As detailed in the press release from Earshot Media:
“ghostbells’ rise has been anything but conventional. After spending nearly two years writing, recording, and filming videos before approaching labels, the band signed to Out of Line Music in June 2025 with nearly two albums’ worth of material already completed. Just weeks later, with no released music and newly launched social media, they made their live debut at Poland’s Castle Party Festival.”
I have also recently heard that this full EP is going to be out February 5th via Out of Line Music. You can get a pre-order for the CD here:
Just a few ideas if you have the time: purchase music when you can as streaming does not pay much even times a thousand, support and get to know your local community, live well and be a good neighbor 🙂
Having had a chance to preview the first single off this album (“Time Machine”) I was excited to see the press release about this upcoming EP which is set to drop February 20th on Gold Ship Records. I was definitely curious about what the rest of the music would sound like and was not disappointed when I gave Revisions a listen.
Opening on “I Wish You Well” (which is also the second single and out now) the EP starts soft and slow with a gentle guitar melody. That leads into some prominent drums which sound heavy but manage to retain a little lightness…kind of an emotional beat. That general tone carries through the first 2:20 of the song accompanied by an airy vocal. The bridge has a faster rhythm to it with a kick drum and bass guitar giving an impression of running out toward something. Then the vocal comes back in and it all crashes gloriously to a rising finish.
“Surrendered Notions” (a bouncy, energetic blast with soaring guitars later in the song that feel like they touch the sky) is followed by “Liar” (a mellow but infectious track complemented by more great guitars) and then the previously released “Time Machine.”
The fifth song “Misinformed” is a nice change of pace from the general tone of this EP. It has a bit of an alt-pop groove that runs along nicely for the first two and a half minutes before switching gears to a booming finish that has a bit of controlled chaos about it. The album then finishes on “Scaredy Cat” which might seem long at 5:20 but I found it to hold together well all the way through. Overall, the six selections on Revisions make up a memorable set of alternative rock music especially if you like it served with well-crafted sonic guitar moments.
Musicians on this are: Tyler Schlagenhauf (vocals, guitar), Tim Fahlen (guitar), Tony Caruso (bass) and Jason Guadalupe (drums)
You can stream their new single “I Wish You Well” here:
Just a few ideas if you have the time: purchase music when you can as streaming does not pay much even times a thousand, support and get to know your local community, live well and be a good neighbor 🙂
Please let me know your opinion also in the comment section below
This group’s first single “Bold” (out in 2025) was an energetic, guitar heavy song right in the middle of the pop punk space and a solid debut. Even though it has only been a short time since that first release this new track (set to drop on January 23rd) shows some added refinement and growth for this young band and a lot of promise for the future.
“Nuff Said” opens on some nice, loud guitars that are soon joined by a very heavy rhythm section that booms out in front of this song all the way through. There is such a lively pace to the music that I was a bit surprised when it finished to realize it was a little over 3:30 in length. There is also a dual vocal here and they play well off of each other with some clever phrasing in the lyrics. And standby for the last 45 seconds as it is quite a finish! A really good song and we can hope for some more from Homebase in 2026 and beyond.
Musicians on this are: Chris Ochoa (drums), Dave Caruso Josh (bass), Antonio Valentino (vocals), Arturo Cordova (guitar) and Matt Valentin (guitar)
Just a few ideas if you have the time: purchase music when you can as streaming does not pay much even times a thousand, support and get to know your local community, live well and be a good neighbor 🙂
Up until I received the press release from Adam with Broken Jukebox Media for this upcoming album (set to drop March 13th) the only song I had heard by this artist was “Do Things Different” off 2023’s Wiser Then. That track had several of the elements I have always liked about the good singer-songwriters; simple, down to earth lyrics and arrangements that are fairly straightforward but have special little touches that make them very memorable. Prior to his most recent releases (in 2023 and 2025) Bergquist was part of the Boston band Loose Change who have some cool songs you can still find out there if you poke around (“Caroline” is a good starting place).
Devils & Doves is definitely a solid set of ten tracks that mirrors Bergquist’s own words:
“This album is a reflection of my interest in all kinds of music,” he says, “and I was lucky enough to have some wonderful musicians help me fold those influences into the sound.”
It opens up with “Envy Blues” which has a folksy groove to it with a nice mandolin accompaniment and a shuffling rhythm. A few tracks later you will find “In a Box” with its down tempo pacing, clear vocals that impart a sense of yearning and just a touch of the fiddle for a little bit of mournful wailing. This song also has a really well placed bass line that adds to the feeling of heaviness that travels throughout the music.
On the second half of this album “Redwood Tree” has a much different feeling, carefree and happy with a very bright melody. Bergquist got the inspiration for the lyrics on a walk through some Redwoods and, having had the good fortune to take some of those walks myself, the words on this one really hit home. The album closes out powerfully on “New Day” which is one of those songs that has tons of optimism and good vibes running through it. With an upbeat rhythm and guitar work along with some nice pedal steel this is a hand-clapper that will leave you feeling pretty darn good about things.
You get a nice range of sound, arrangements and styles on Devils & Doves and it is an album that definitely deserves a place in your collection.
Although there is no pre-save / pre-order info available on this album that I could find, you can check out some of the songs from this album on his Bandcamp page (link below) and I am sure the full album will be there on release day.
Please let me know your opinion in the comment section below 🙂
Just a few ideas if you have the time: purchase music when you can as streaming does not pay much even times a thousand, support and get to know your local community, live well and be a good neighbor 🙂
jack mesenbourg 