Album Review – Ricky – What’s The Point

Five men sitting on a bench seat and looking toward the viewer.  They are al casually dressed.

Having just heard about this band for the first time courtesy of Mike at Sweet Beef Agency I did not know what to expect when I starting listening to this album.  After having run through it several time now I have to say…this was one very interesting listening experience.   Although Ricky comes tagged as slacker rock there is more depth and thoughtful musical composition than that genre often delivers. 

This set opens up with “Room” which has a haunted lullaby groove especially for the first 1:10 or so.  It also feels a bit somber and has a slightly disconcerting but also charming melody loop that grew on me the more I listened to it.  “Call In Sick” is much different, coming in with a strong vocal and powerful rhythm section that drives this one all the way through to the end.  There is also a brief but smartly placed bridge that gives this track just a little bit of needed breathing room.  Following along is “Don’t Matter” (cool guitar sounds swirling around a punchy drum beat) and “Nothin Goin On” (entrancing, swaying rhythm that spirals out at the end into a bizarre sonic atmosphere).  

Next up is “Cool Guy” and the star here for me is the bass line along with a  wavering guitar hook that draws you into a buzzy atmosphere.  It gave me kind of a fever dream feeling especially with the repetitive “famous and rich” mantra that pops up throughout the song.  “Walk” (a boppin’ down the street runner) is followed by the title track which comes crashing in before quickly settling down to a mystical, hypnotic loop.  The eighth song “SD Dying” is my favorite on this album and it jumps right off on a great vocal with jamming guitar vibes.  The rhythm section is persistent and insistent throughout this tune and there are some interesting pacing changes along the way.  It is a rocker with a twist.

“Don’t Get It” is followed by “Beautiful Day” and something about the guitar intro makes this one feel grand right from go.  It manages to keep that majestic vibe even with a contrary set of lyrics which makes for a fascinating contrast.  The final track is “CCR” which is a solid ending for this set.  It has that slacker rock groove and feel but also layers in some cool effects, a compelling arrangement and just a few unexpected moments.  

This album is a great listen all the way through and offers up a mixture of psychedelic, slacker and alternative rock but with some new twists and a unique presentation.  

As I always have to do just a little more digging around…there are some other prior offerings available at the link below – I especially enjoyed Palm Trees.

https://rickysmusic.bandcamp.com/music

This is out now courtesy of DHCR Records

Vote here to nominate this for my best of 2026 list: 

Video for the title track here on YouTube:

Order this now right here:

https://dhcrrecords.com/store-1/p/ricky-whatsthepoint-vinyl

Please let me know your opinion in the comment section below

Interested in more info on this Artist?

https://www.instagram.com/ricky.the.band/

Just a few ideas if you have the time:  purchase music when you can as streaming does not pay much even times a thousand, support and get to know your local community, live well and be a good neighbor 🙂 

Release Alert – Big D and the Kids Table – Whiplash – from the upcoming album The Good Ole American Saturday Night

Six men stand and are looking slightly upward toward the view.  Most of them are dressed in black and are set against a black and white checkerboard background.

Band photo by Alacrity Photography

If you have previously heard any music from this epic ska-punk band (legends I would say) you may be as pumped as I am to hear about this upcoming LP.   It has been awhile for sure (five years since Do Your Art) and I had been wondering when we might be getting some new music.  This single drops today and will be followed on June 12th with a full album release via SideOneDummy Records.  

Musically this track lives up to its name twenty seconds in as a slow-paced, light and melodic intro turns abruptly on a nice sound explosion at that mark.  All the energy, powerful beats and clever mix of instruments that have been trademarks of the band are present here in spades.  I would even say they sound edgier and a little more pumped up than what they delivered on Do Your Art.  This song is a great preview and I will be looking forward to when that full LP drops in June. 

If you have some time and the inclination you can also check out the album that introduced me to this group back in 2011.  For The Damned, The Dumb and the Delirious is an eighteen song set that is full of ska-powered fun, a little humor and much energy.  

Vote here to nominate this for my best of 2026 list: 

You can check a cool video (shot and edited by Mike Rickshaw) for this here on YouTube:

Pre-save the album (this helps out a lot!):

https://bigd.lnk.to/whiplash

Please let me know your opinion in the comment section below

Interested in more info on this Artist?

https://www.instagram.com/bigdandthekidstable

Just a few ideas if you have the time:  purchase music when you can as streaming does not pay much even times a thousand, support and get to know your local community, live well and be a good neighbor 🙂 

Album Review- Homebase – Close To Something

Five young men, casually dressed and sitting against a brick wall.  Two of them hold stringed instruments.

The new EP from New York / New Jersey alt-punk upstarts Homebase comes after the release of their prior singles “Bold” (2025) and “Nuff Said” (2026) which was the first song I had heard from them.  I reviewed that one here in January of this year.  Both of those tracks are part of this EP and they are joined by three other solid tunes that have a lot of energy and style.  

“Close To Something” leads off with a bit of an off-mike rhythm solo before dropping into a hammering groove with the drums and bass upfront and on-point.  The arrangement stays just a little off the expected path also which I thought was pretty refreshing and interesting.  Joining up with that song on the cool and different path is “Start Over” which is a two-part experience.  The first forty-five seconds are full of loud, distorted guitars and heavy rhythm.  It then drops out into an atmospheric, slightly hollowed out strumming guitar and plaintive vocal for the second half of the track.  It took a few listens to appreciate the message but it was worth it.  

The previously mentioned “Nuff Said” and “Bold” are next before the EP closes out with “I Feel.”  This track has a fuzzy, overdriven, pulsing beat that makes it quite the sonic experience. It is a non-stop heavy hitter all the way through.  

I definitely enjoyed listening to this EP and especially appreciate the range of style and method that the band brought to these songs.  They are definitely in that modern punk space but carve out some unique grooves and sounds that have me looking forward to their next steps.  

Vote here to nominate this for my best of 2026 list: 

Musicians on this are:  Chris Ochoa (drums), Dave Caruso Josh (bass), Antonio Valentino (vocals), Arturo Cordova (guitar) and Matt Valentin (guitar, vocals) 

You should be able to get this now in your usual places for a listen or a purchase as it just dropped yesterday. 

Please let me know your opinion in the comment section below

Interested in more info on this Artist?

https://homebase.band/home

https://www.instagram.com/itshomebase

Prior review links 

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Just a few ideas if you have the time:  purchase music when you can as streaming does not pay much even times a thousand, support and get to know your local community, live well and be a good neighbor 🙂 

Album Review – Gucci Chain Letter EP

A black and white graphic of the band name

This is the first album from this band which was formed by members of other punk / hardcore groups from Alberta and Vancouver (Canada of course).  That info came to me courtesy of a press release from Earshot Media that also mentioned some of those associated bands.  Although I had not heard of most of them (Daggermouth, This Is A Standoff and Precursor to name a few) there was one which was familiar.  At this point I do not remember how I came across Counterfeit Jeans (Bandcamp maybe? Or Spotify?).  The name was just one that stuck with me.  I had to go look up the track I had heard and after some research I found it!  “Nervous Wreck” was a single released back in September of 2018 and it also appears on the 2019 album Good Morning.  I had a little listening session at that point for a refresher on the song (a very interesting piece of punk / alternative music with heavy drums and a unique guitar sound) and that LP (“Self Doubt” and “Material Beings” are a couple stand-out tracks).  If you have time check those out for yourself on Bandcamp for some prior Tyler Bedford music. 

This new EP hits the ground running with “Sorry Doesn’t Cut it” which has a nice, energetic lead-in on some bouncy drums and a sonic guitar riff.  The vocals are delivered with an urgent, demanding tone that reflects the message in this song.  “Every Word I Never Said” has a slightly hypnotic rhythm groove for the first 30 seconds and several different vocal styles mixed in that add a nice complexity.   The final track is “Winfield,” a melodic punk style track that changes pace a couple times…super cool.

Stylistically this album is very interesting with musical compositions that are thoughtful and which show a strong range of talents from these accomplished musicians.  Although there are only three songs on this EP I think they are a nice showcase and opening act for this band.  Hopefully there is more to come from them in the future.  

Vote here to nominate this for my best of 2026 list: 

Musicians on this are: Stuart McKillop (vocals), Tyler Bedford (drums), Nick Kouremenos (bass), Shawn Kilgrain (guitar)

Streaming link:

And you can also listen here on YouTube:

Please let me know your opinion in the comment section below

Interested in more info on this Artist?

https://guccichainletter.bandcamp.com/album/ep

https://www.instagram.com/gucci_chain_letter_/

Just a few ideas if you have the time:  purchase music when you can as streaming does not pay much even times a thousand, support and get to know your local community, live well and be a good neighbor 🙂 

Album Review- Kenny Shore – Happiness & Misery

A man in a music studio playing an acoustic guitar

Prior to getting the heads up from Adam Dawson (Broken Jukebox Media) on this upcoming album I had heard only one Kenny Shore song, 2021’s “Waiting for the Rain.”  That single has a few things to recommend itself to you including a soft but catchy melody that runs alongside some nice pedal steel and a booming, front loaded bass.  It was, however, one simple lyric line that caught me and has kind of stuck around in my mind; “you can’t always fall back on the past.”  It is a simple but useful reminder about life if you ask me.  

This new album (set for release March 20th) is a really strong set of eleven tracks that I thoroughly enjoyed listening to over the past ten days.  Although the album is definitely in the Americana / folk space there is a nice range of sounds and styles here to enjoy.  

The set opens up with “What’s the Difference?” which struck me immediately as a traveling song.  It kind of has that “going on a roadie” vibe right from the start and the lyrics also fit into that groove although more specifically in a “personal journey” kind of way.  I also really liked the lap steel on this track as it does a great job of evoking the question mark in the title…at least that was my impression.  

Up next is  “I’ll Take Off My Hat” which is a good old foot-tapper with a little shuffling drums accompaniment to follow you along the way.  There is also a memorable bass sequence right around the 1:23 mark…wonderful tone.  You will have to resist the urge to do embarrassing little dances while listening to this groovy tune.  The title track is up next and it opens up on a strong vocal over a basic guitar framework.  That structure gives the song a simple kind of beauty.  The mandolin melody lines also do a nice job of elevating this one.

“Roller Coaster Ride” (a jumpy, bouncy kind of sing-a-long tune) is next and followed by “Monkey Jungle.”  This one comes in with a little rattle and guitar and has a smoky, slightly spooky vibe.  Shore’s vocal delivery also adds to that overall feeling.  It is kind of a trippy song both in sound and story.   Take the time to give this one a few careful listens and really appreciate the interplay of the instruments.  It takes some talented musicians to put this kind of sonic landscape together.  There is even a thumb piano peeking through at several moments which kicks up the spookiness if you ask me.  

Following along next is “Haunted” which, although it is lyrically on the “Misery” side of the equation, does have a musical arrangement that imparts a little bit of hope.  I think it is the strong keys that bring that into view here; they are emphatic and demanding at times…or maybe it sounds more like determination.  I went back and forth on that and do not have it sorted all the way out yet.  “Hard To Be Somebody” has some really nice guitar interplay as the acoustics and electrics play off each other and a soft but effective drum line.  The real star for me on this track though was the bass which punches through at just the right moments.  

Right from the opening notes there is something poetic about the next song “Far Away.”  This one has a fairly spare sound mostly framed around a simple guitar melody.  The lyrics tell a familiar story in an evocative way and have a very down-to-earth quality to them.   Next up is “Nail It To The Wall” (my personal favorite on this album) and the keys really shine here.  They have an otherworldly tone to them that also imparts a feeling of nostalgia mixed with a little mystery.  This tune can take you places in your mind…I got lost a few times along the way.  It is only 3:16 in length but seems longer in a good way.  “If I Ever Needed Someone” (a nice ballad) is followed by the closing track “Sometimes” which comes in on a nice guitar riff that sets a reflective mood.  After listening to it several times I also got a “boot strap yourself up / you can do this” feeling that was driven home by the “yeah’s!” in the extended bridge.  They seems like shouts of encouragement.  I also really like the guitar fills between the verses.  A strong finish to a very good album.  

Overall, Happiness & Misery is a very pleasant listening journey with songs that are well composed, expertly performed and that have lyrics and themes that hit home while also being entertaining.  I will be listening to this one on a regular basis and recommend it to you.  

Vote here to nominate this for my best of 2026 list: 

Musicians on this:  Kenny Shore (vocals, acoustic guitar, harmonica), Joe MacPhail (all keys and drums), Joseph Terrell (electric and acoustic guitars, lap steel, all backing vocals), Robert Sledge (bass), Andrew Marlin (mandolin on “Happiness & Misery”), Isaac Derr (thumb piano on “Monkey Jungle”).

Please let me know your opinion also in the comment section below

Interested in more info on this Artist?

https://www.kennyshore.com/

https://kennyshore.bandcamp.com/

Just a few ideas if you have the time:  purchase music when you can as streaming does not pay much even times a thousand, support and get to know your local community, live well and be a good neighbor 🙂 

Release Alert- The Dollyrots – “Attention Span”

A man and a woman lit with a spotlight and goofing off.

Band photo by Jen Rosenstein 

I have definitely been swirling around the fringes of this band for awhile – hearing their music in various places, missing chances at a couple shows, breezing through a few articles…so aware and disconnected I guess.  I do distinctly remember hearing their Arrested Youth EP (years ago…maybe 2015?) and thinking that they had a pretty cool energy and a bit of an eclectic sound that was a mix of punk, pop and rock.  It was a band that sounded authentic to me so kind of a bummer that I did not stay up on them over the years.  

They have released a lot of music since that time and you can check their Bandcamp page to pick up a few songs or albums if you have the inclination.  I got the heads up on this new single (out March 13th on Wicked Cool Records) from Mike Cubillos at Earshot Media and really like the way it kicks off with rowdy guitars and big crashing drums.  It then jumps into the strong vocal track that is carried along on some nice bass textures.  The guitar sound and tone do a great job of giving this pop-punk song a little bit of an extra edge.  This single is an engaging track that deserves a spot in your collection.  

The band also just jumped on tour for most of March and have a slot on the Van’s Warped Tour June 13-14 (Washington DC – Festival Grounds at RFK Campus).  

Vote here to nominate this for my best of 2026 list: 

Musicians on this are: Kelly Ogden (lead vocals, bass), Luis Cabezas (guitar, vocals) and Simon Hancock (drums).

Pre-save:

https://orcd.co/dollyrotsattentionspan

Please let me know your opinion also in the comment section below

Interested in more info on this Artist?

https://www.dollyrots.com/

https://www.instagram.com/thedollyrots

Just a few ideas if you have the time:  purchase music when you can as streaming does not pay much even times a thousand, support and get to know your local community, live well and be a good neighbor 🙂 

Song Review- Bill Scorzari “That’s a Good Thing” from the upcoming album Sidereal Days (Day 2)

A beareded man in a hat looks off to the viewers left.  He looks happy.

Photo by Neilson Hubbard

As I have been patiently waiting for the full release of Day 2 (currently listed as coming in 2026) it has been very nice to be able to listen to the previously reviewed “I Stayed” which I first heard back in January of this year.  Now this second single is out and it definitely continues the run of truly noteworthy music being created by Scorzari and his talented team of musicians.  

Starting quietly on guitar with just a whisper of dobro and pedal steel the mood set is kind of a reflective, everyday kind of hopefulness.  The matter-of-fact vocal delivery matches that tone and conveys a powerful story of heartfelt tenderness about the ups and downs of life.   As was true of Sidereal Days (Day 1) the musical composition of these first two singles from Day 2 really shines, especially in the delicate touches provided by the musicians.  Each song has an engaging musical landscape behind it that is just as compelling as Scorzari’s poignant lyrics.  I will remain patiently waiting for more of this album to be released.  

Vote here to nominate this for my best of 2026 list: 

Musicians on this (other than Scorzari on lead vocals and acoustic guitar): Erin Rae (harmony vocal), Marie Lewey (backing vocals), Cindy Richardson Walker (backing vocals), Juan Solorzano (pedal steel), Joshua Britt (mandolin), Brad Tally (dobro), Eamon McLoughlin (fiddle), Chelsea McGough (cello), Danny Mitchell (piano), Michael Rinne (upright acoustic bass), Neilson Hubbard (drums and percussion) 

You can stream this one now at all of your usual places 

Please let me know your opinion also in the comment section below

Interested in more info on this Artist?

https://www.billscorzari.com/

https://billscorzari.bandcamp.com/

Playlist links 

https://bandcamp.com/jackmesenbourg/playlist/06302025

Prior review links 

Just a few ideas if you have the time:  purchase music when you can as streaming does not pay much even times a thousand, support and get to know your local community, live well and be a good neighbor 🙂 

Song Review- The Crash Years – “Afterlife”

Five cartoon style images of men look out toward the viewer.  The men appear content.

I just received the news that this new single had dropped a few days ago and it had been a very long time since I heard anything about this band.  Long enough in fact that I had to go back and try to figure out what songs I may have listened to from them in the past.  That search took me to the 2013 album Disposition and the track “Therapy” which rang a familiar bell.  It holds up after all of this time and is worth checking out on their Bandcamp page.  My research also brought up mention of a couple EPs that I tracked down on Apple Music (2014’s Cope and 2015’s In Search of Better Places) which look to be the most recent releases from the band other than a couple of singles in the late 2010’s.  The song “Stay Dead, Stay Down” off Better Places really struck me due to its stark musical composition and lyrics.  

This new single “Afterlife” comes in mellow with a catchy melody over a heavy drum and bass giving a bit of a solemn feeling that echoes the lyrical message of loss in the first verse.  The song does not stay in that somber groove though as the chorus has an energetic message of hope and reunion.  The bridge is a soaring crescendo of vocal and guitar that crashes over into prominent but desolate keys that ride out the remainder of the track.  This is an interesting and engaging song that marks a solid comeback for The Crash Years.  

Vote here to nominate this for my best of 2026 list: 

Musicians on this are: Joel Cox (vocals, keys), Will Watkins (drums), Tyler Brantley (guitar), Clinton Reed (guitar, bass), Clayton Welborn (guitar)

Streaming link:

https://distrokid.com/hyperfollow/thecrashyears/afterlife-2

Please let me know your opinion also in the comment section below

Interested in more info on this Artist?

https://www.instagram.com/thecrashyears

Just a few ideas if you have the time:  purchase music when you can as streaming does not pay much even times a thousand, support and get to know your local community, live well and be a good neighbor 🙂 

Release Alert – Ryan Hamilton “The Come To Jesus Moment” 

A man wearing a hat and denim jacket looks out toward the viewer.  He is also holding a guitar that is pointed toward the camera.

If you run back in time to 2006 you can find a song called “Taking Its Toll” from Blue Roses by Smile Smile.  I am not sure how I ever came across that song but it has this wonderfully slow, melancholy kind of vibe that made an impression on me.  That band was a joint project between Hamilton and Jencey Hirunrusme that also released a couple other records between 2006 and 2012.  After that Hamilton went on to other endeavors including Ryan Hamilton and the Harlequin Ghosts.  Their album This Is The Sound is a solid 12-song set from 2019 with my favorite selection being “All Fall Down” and the title track a close second.  

This new single (just out on February 20th via Wicked Cool Records) has a short little organ intro before bumping up quickly to a pretty groovy alt-rock style that gets you toe-tapping along right away.  The vocal track is front and center with lyrics that mange to wrap some humor around a deeper theme of struggling with faith and what to do about it.  This is a nice preview also for an expected upcoming album from Hamilton.  

Vote here to nominate this for my best of 2026 list:

Streaming link:

https://orcd.co/cometojesusryanhamilton

The b/w on this is a cover of Billy Joel’s “You May Be Right” which you can check out here:

Please let me know your opinion also in the comment section below

Interested in more info on this Artist?

https://ryanhamiltonmusic.com/

https://ryanhamilton.bandcamp.com/

https://ryanhamiltonwcr.bandcamp.com/music

Just a few ideas if you have the time:  purchase music when you can as streaming does not pay much even times a thousand, support and get to know your local community, live well and be a good neighbor 🙂 

Album Review- Matthew Payne – Better Times 

A casually dressed man with a serious expression looks out toward the viewer.

I had not heard of this artist before Adam Dawson at Broken Jukebox Media reached out with the opportunity to listen to Better Times before it officially releases on April 17th.  After spending a bunch of enjoyable time on the album’s ten songs I also checked out Payne’s  2025 EP Coyote Howlin Blues.  I would recommend that as a way to introduce yourself to this singer-songwriter as you wait for the album to come out.   My favorite there is “Spiderhouse Blues” but the entire EP is solid.  

The Better Times album leads off with the title track which is a simple yet elegant country tune with a lilting acoustic guitar melody and a spare, earnest vocal.  There is also a wonderfully mournful pedal steel weaving around the arrangement.  The next song “Heartsick” kicks off a double run (which also includes “Down in the Valley”) of country-blues style rompers full of twangy guitars and thumping bass lines.  There are some really cool resonator guitar moments also especially on “Heartsick.”  

The fourth track “Adilena” provides a nice tempo change and is a stripped down tune with a yearning vocal that evokes picturesque imagery as a backdrop to unrealized love.  “Name” is up next (very guitar forward with nice resonator tone giving a very vintage bluegrass edge) and is followed by the introspective “My Father’s Son.”  

The opening melody of the album’s seventh song “Kid” has a great Americana feel to it and adds in a healthy dose of harmonica to fill out the sound.  Stylistically the next track “Silhouette of Branches” is a close cousin to “Kid” and they both have lyrics that cover some pretty deep topics of personal loss and struggle.  

I am always interested in well done “quiet songs,” those that have bare bones arrangements and a subdued tone but still deliver power and meaning in a very graceful way.  “Slip Through Me” is a great example of these qualities in action.  Payne’s vocal track, tinted with nostalgia and accompanied by a stark acoustic guitar, delivers a poignant, introspective message.  It is my favorite on this album.  The final track “Terlingua” is a mellow but moving end cap for this ten song set.  

The songwriting by Payne on this entire album is poetic and straightforward, delivering characters and places that are very vibrant and real.  He has a talent for spelling out the struggles and trials of life, along with a few triumphs, in a way that is very relatable.  The musical arrangements, although not intricate or complicated, are performed very well by the talented musicians (see below) and in a way that brings feeling to every note.   Better Times is a solid collection of raw, heartfelt songs that blend county, bluegrass and a bit of blues to very good effect.  

Vote here to nominate this for my best of 2026 list: 

Other musicians on this are: Marty Muse (pedal steel, resonator), Kevin Smith (bass), James Stevens (harmony vocals, percussion).

Purchase this now at:

https://matthewpayne.bandcamp.com/album/better-times

Please let me know your opinion also in the comment section below

Interested in more info on this Artist?

https://www.thisismatthewpayne.net/home

Just a few ideas if you have the time:  purchase music when you can as streaming does not pay much even times a thousand, support and get to know your local community, live well and be a good neighbor 🙂