Nice and clean blues / roots music…you can get some by listening to this track 🙂
Right from the go on this song you have that classic bluegrass vibe from the spoken “let’s go to jail” opening to well played guitar and banjo. The lyrics here are simple, clear and tell a classic story of imprisonment and the perpetual desire to run free again. Great production work on this track also with nice instrument clarity and a strong vocal mix.
Some bands…with some songs… just have the ability to bring you some good old nostalgic vibes and feelings.. That is exactly what happened when I hit play on this recent release from The Copyrights. Just try it out for yourself and you will know what I mean.
This track opens nicely with some heavy drums that spring open into a great opening lyric “Joy, I need to drag you down, it feels like its been so long since we’ve had it out.” The guitar distortion really sets the mood for this song and is offset nicely by the punchy bass line…and it all goes out on a nice noisy build that abruptly cuts off…very cool.
It is not a surprise that I was happy to hear about some more music being released by this under-appreciated songwriter and his great band and associated musicians. I have previously reviewed their Rail Vodka release and that one is worth your time also …give it a listen:)
This EP features some previously released material but is still a good collection and an entry point if you have not heard any of of Carr’s music prior to this album. “Party Town USA” came out as a single release in 2021 and has a nice, clean vibe to it with an airy atmosphere and a strong drum beat through the middle of the track. “Ronnie” is up next and this song has seen several versions over the years (although I still prefer the original from “Reinventing the Dumbass”…but hey, I am a vintage-style person after all). How did it take me this long to understand the line about Third Eye Blind? I always wondered what “melted ice and Third Eye Blind” even meant…but hey…I hear it all loud and clear now! The third track is “Just South of Heaven,” and is the version from 2021 which is mixed & produced in a much more mainstream fashion than what was on the 2020 EP Neapolitan Man. This later take is definitely more accessible but that 2020 edition, which is much slower and has a disquieting yet comforting metronomic feel to it, is my preference. This album closes on “Being Zack Morris” and is a version that I do not think I have heard before…it is a strong one, a well developed song with a nice piano accompaniment.
As always Jordan Carr delivers direct, pointed songs of life, love and the general messiness of living with much heart and strong arrangements…I always feel like he sings song for and about folks like me:)
Yeah, yeah, I know, everyone loves Militarie Gun these days…I would mention that I should have written about them back in ’21 but, hey, who would believe me? But in case you do…check out “Fell On My Head” from All Roads Lead To The Gun…you will not be sorry!
This track (released in July 2024) has a bit of Semisonic in there (it’s a good thing I swear) and the booming front with the rhythmic vocal lures you into a mellow world overlaid with enough noise to keep your attention – definitely worth a listen!
The first few times I heard this one I was not “all aboard” for liking it – but I gave it a few more spins and have changed my mind. This is a good song and worth a listen.
Starting with some great fuzz, this track is loud from go and with clear, powerful vocal work. The transition into the chorus is a boomer with a sound wall backed by a deep drum line. A little buzzy solo adds some nice flavor.
Also, if you want to hear another good song and be entertained along the way…check out their video for “Blowing Things Up In The Woods” – it is a good bit of corny humor.
Yes indeed…I am hanging out in my time machine for certain this weekend…all the way back to 1996 and happy to be here! This came across my wavelength courtesy of the KC Punk Archive who are preserving the “punk-adjacent music from the greater KC / Lawrence metro area from the 1980s through the mid 2000s”…and what a great project!
I picked this track after listening to the entire album mostly because it called me right back to the 90’s both in tone and arrangement – that slightly distorted yet still twangy guitar intro, a drum drop-in and then all together for a well-delivered and catchy track. The message sent out is simple but still effective even after all these years and a line like “one and one don’t make one, it’s more like eleven with you,” is just darn good.
I have been enjoying this band for a few years now, both for their creativity and also for their slightly self-effacing, irreverent manner…the kind of people you can imagine spending some good times with along the path of life.
This track caught my attention initially due to the contrast between the low-tone, clean portions (check the first ten seconds as an example) and the slightly pegged out boomer parts that weave in and out throughout the track. It gives this kind of delightful, discordant mood to the entire song that fits the lyrics well in my opinion. The guitars are prominent with a little harmonica blending in later on to give a little breeze to the enterprise. You can take this one with you all day long.
Just a short time ago I had the pleasure of checking out Doug’s discography on Bandcamp and was definitely impressed with the range of genres he brings to his music – and he also has some very insightful lyrics that will give you some thoughtful moments.
This recently released track almost has a hopeful melancholy to it…moody lyrics come in at the beginning tinged by some brighter strings underneath that push you forward until you hit the melodic guitar part around which this song revolves. That pattern repeats accompanied by an understated drum beat, a progression that keeps this song sounding straight-forward while it builds up in your memory. It will stay with you and is well worth a listen.
This is an oldie but very goodie 🙂 and cuts all the way back to 1972. After bumping into this album through the Cleopatra Blues page I was hooked right from go.
When you read the roster of musical talent on this record you expect to be hit with a grand collection of sounds and this track does not disappoint. A nice little jangle of guitar leads into a boppin’ and swayin’ drum beat and soon the clear and smooth voice of Adams. The clavinet is just fantastic also and lends a special flavor. You can definitely see yourself hitting the streets for a little walkabout with this one playing from the old boombox – totally awesome:)
This might not be my favorite song from these musicians (for that please see “western world” off their echinacea album…a strangely haunting song with a great bass line) but I wanted to put it up here as DG is calling it done after all this time. Even during times when I was trying to puzzle out exactly what they were up to I always found the sonic experiment they offered up to be very interesting.
This one leads off with a nice guitar part (that evoked a little Smashing Pumpkins in me) and heads into the lyrics covered by a subdued drum beat before picking up a little atmosphere mid-song. That sonic buzz sticks after that with several nice distortion clouds cutting in..and then it drops right off…good-bye.
Thanks to Double Grave for the very interesting ride over the years and best wishes for your futures:)
jack mesenbourg 