Song Review- 84 Tigers – “Two Rivers” (featuring Rocky Votolato) from the upcoming album Nothing Ends

Three men in dark clothing, standing in front of a backlit window and brick wall, looking at the camera

Back in the days when Small Brown Bike was a fairly active band (late 90’s to mid 10’s…and maybe a little longer as I did lose track of them around that time) I had a conflicted relationship with their music.  They had insightful lyrics, bare bones and very real much of the time, that could really get you thinking.  For me songs like “Just Bones” (off the album Fell & Found) and “A Declaration of Sorts” (The River Bed) are powerful music.  At times though they had some distracting arrangements that left me a little puzzled (…which could well have been my own issue but still…those was my thoughts at the time).  Anyway, I still liked the band and listened.  On a side note there is a pretty cool release called Recollected (on the Old Point Light Bandcamp page) that has a lot of their music on it including demos, B-sides, some covers, etc.

84 Tigers features two of the members of Small Brown Bike (Mike & Ben Reed) along with Jono Diener from the Swellers.  A good starting point for music from that Michigan band is their 2012 album Running Out of Places to Go.  

84 Tigers had a release back in 2022 called Time in the Lighthouse that I totally failed to pick up on apparently so this “Two Rivers” track was my entry point for their music.  It is also a tribute to Travis Dopp (Small Brown Bike) who passed away in 2023.  Mike Reed commented on this track in a recent press release from Earshot Media:

“‘Two Rivers’ is a tribute to Travis Dopp (Small Brown Bike). Some of his lyrics are quoted in the song. When Rocky and I realized that we had both written songs with the word ‘River’ in the title separately, it was cosmic fate that brought him into the song. I had no idea what it would become, but he took it to new heights and I still get choked up when I hear it.”

The song begins on a cycling drum and guitar riff and keeps a quick beat accompanied by a strung out lyric line before slowing way down for a reflective moment.   It keeps that tandem sound throughout, kind of a rushing feeling toward the brief spaces of quiet.  A nice combination with sincere lyrics that are a fitting tribute to Dopp.

You can get a listen to this track on YouTube here:

You can pre-save the album (scheduled to drop October 17th on Spartan Records) here:

https://orcd.co/tworivers

Or pre-order at the Spartan Records website: 

And support your locals – community is powerful

Song Review- The Boy Detective- “Beth Truss” from the upcoming album Disco Lunch

A group of mostly happy looking people, some sitting and some standing.

As a long time fan of ska (in all of its various iterations and sub genres) I first heard this band covering The Get Up Kids song “Forgive & Forget.”  That was off Sklarity, their 2021 collection of ska-styled covers of ten songs which also included “Hands Down” (Dashboard Confessional) and “Photo Booth” (Death Cab for Cutie).  On that album and also on the 2018 album Dorkus Malorkus their sound is an interesting mix of ska, punk and just a bit of hard core.  If you want a side mission check out “Is Alfredo There” from Dorkus for an interesting cross-genre experience and sound explosion.  They also have another release called Art Theft which I have not listened through yet.  

Their upcoming album Disco Lunch is set to drop on November 7th and “Beth Truss” will release as a single on August 15th, all courtesy of Punkerton Records.  The song, as described by the band’s vocalist Benny Capaul: 

“…was taken off the shelf, dusted off, and reformatted to sonically invoke singalongs and brain-eating choruses and gang vocals, in the only way The Boy Detective knows best.”

I would have to agree that this one is a sonic explosion.  It comes in on a short drum intro quickly followed by energetic horns that give you a bit of a marching groove.  At that point you are firmly in a ska state of mind and happy to be there.  It then drops into a more guitar & drum / alt-punk section that still brings the energy while adding some restless edginess to the vibe.  That back-and-forth continues through the song and the overall result is some odd kind of angry happiness. 

This should be out on your streaming channels soon and you can pre-order Disco Lunch (vinyl) here:

And pre-save the digital version here: 

https://ffm.to/theboydetective_discolunch

And support your locals – community is powerful

Song Review- Mike Ward  –  “Left To Ourselves” from the album The Time That Remains

A standing man in a red long sleeve shirt facing to the left and playing acoustic guitar.

Having decided that I was in the mood to cruise though some recent Americana / Folk releases I came upon this album from Mike Ward that was just dropped at the beginning of the month.  The twelve songs that I heard were quite remarkable, both in their lyrics / message and composition.  Ward is a straight-forward storyteller with a clear voice and the ability to distill large ideas into heartfelt songs.   I was especially impressed with the hopeful message that he manages to convey even when it is wound up in songs about difficult subjects.  

“Left To Ourselves” comes in on a muted acoustic guitar that is picked up by a nice mandolin melody line.  Those two instruments are prominent throughout and provide a peaceful vibe supported by a subtle piano and some soft percussion that it took me a few minutes to sort out.  There is a nice bridge that kicks the beat up for about twenty seconds before transitioning back again.  This song, which for me has a message of “give your better nature the first chance” is a notable composition and worth a listen.  

Musicians on this are: Mike Ward (acoustic guitar, vocals), Jason Dennie (mandolin), David Roof (percussion and piano).

You can check out more of the music and information on the Bandcamp page https://psychosongs.bandcamp.com/album/the-time-that-remains

Remember to support your local community 🙂 

And please think about purchasing this song after you listen – streaming music does not pay much even times a thousand…

Let me know you think! 

Song Review – Sugar Tradition “Don’t Leave Me” from the album More Sugar 

Holy Wowwerz and welcome Detroit Sound!  These cats are some kind of groovy and explosive blend of 60’s psychedelic, Detroit Wheels rock and garage band thrash…and it works like magic!   

From the first seconds of this track, a feedback bleed in that lasts just long enough, Sugar Tradition has your 100% attention.  A booming rhythm section sets the pace and is layered over by fuzzy guitar and vocals that lead you right along the way in this aggressive and bumpy explosion of sound.  And then…that chaos at the end (was that a cat screaming?) is a great send off toward your next adventure…which I might suggest could be the rest of this fantastic album:) 

You can check out more of the music and information on the Bandcamp page https://sugartradition.bandcamp.com/

Please remember to go out and support your locals…community is powerful:) 

Song Review – The Armed “Sport of Form” from the album Perfect Saviors 

You know, things can be a little different from what you have come to expect from a band and still be really good…I found myself saying this during my fourth time through this song.  I had admittedly spent parts of the first three times complaining internally that I did not like the change…and fighting with myself over the fact that I often hear myself say things like “I wish someone would do something different…something ….somebody…please!”  So I kept listening and came to my senses:) This is a solid track (an early release) and I will definitely be checking the full set once it is out in August.

There is a short lingering moment at the beginning here that drops into some buzzy electronic jams, beats and vocals that had me flashing back a bit to their prior release ULTRAPOP.  It cleans up a little bit later with some plucky guitar accompaniment.  Those tempo & style changes continue through the song giving this track some complex texture and a more accessible feel than some of their earlier songs.  Solid, clean production and the guitar clashes on the heavier parts are fantastic although a little too short & infrequent for me…but it works! 

You can check out more of the music and information on the Bandcamp page https://thearmed.bandcamp.com/

As always…please remember to support your local musicians – community is powerful 🙂 

Song Review – The Offramps “Abrasive Personality” from the album Hate It When You’re Right 

Sometimes you have to take a little journey back in time to catch up with musical memories and those good tunes that hang out back there in your deep consciousness.  I was kicking around listening to some High On Stress which for some reason reminded me of this band from the 00’s.  I tracked them down on Bandcamp to find this 2006 release on the page for Jeremy Porter and the Tucos (who you might also want to check out:).  The songs on this album really highlight the great music that can be delivered by three-piece alt-county bands. 

Good guitar entry on this track and somehow the opening line,  “I used to have some friends to ignore, ’til they went away…” recalls a piece of my own history.    Solid bass and drums set a foundation for that squealing guitar that you know you miss…just a little… even if you do not want to admit it.  

You can check out more of the music and information on the Bandcamp page https://jeremyporter.bandcamp.com/

Please get out there and support all of your local businesses and people…community is powerful 🙂 

Song Review – Same Eyes “Silence” from the album Victory 

Sometimes I just like to have my mid-80’s Psychedelic Furs moments and today happened to be on one of those days.  Hate me if you want to but seriously…

This track has that pleasant nostalgia of those days for me…it is not a rip-off of any particular song though as it is definitely an original.  It just calls back to so many of those elements that I was chasing around back then, bouncing between The Clash, PIL, The Suburbs, Black Flag…and hell yes, even those Psych Furs.  It was quite the collection.

Right away, the synth kicks in, announcing its twanging presence before the backfill drum beat kicks in to lead us into those airy vocals.  The pacing has that pleasant dance groove to it, not the rave beat, just that slow, weaving rhythm where you lose yourself in the song’s atmosphere.    You can get comfortable here and chill out for a good long time.  Well done! 

You can check out more of the music and information on the Bandcamp page https://sameeyes.bandcamp.com/

It has indeed been a long winter…and all of your local artists and businesses still need your help – please support them.  Community is powerful 🙂

Album Review – Citizen “Life In Your Glass World”

Citizen – Life In Your Glass World

So, I was kicking around Bandcamp looking at Michigan artists and came across this album by Citizen.  I have to admit, I had not heard of them before despite what I later discovered were several very solid prior releases.   Having listened through a few times to this one, here are my thoughts …

They kick this off with “Death Dance Approximately”, which earns an immediate place on my list of fantastic song names.   Right at the beginning there is a very brief organ sound…which for some reason I think is great.  There are some tempo changes in this song that work really well and the drum is especially effective.  Listen to the lyrics also as they are notable.  One line that really caught me was,  “I beat myself down until I cave in, I will pry and I will claw just to be heard.”   It really evokes an internal struggle for me.  

The bare bones drums that are in “I Want to Kill You” are great as is the guitar work on this tune.  The beat here will certainly get you hopping along!  Listen for the unique guitar right around the 2:25 mark – fascinating.

“Blue Sunday,” provides a nice down-shift from the first two songs and the Vox effect here plays very well with the tone and message in the music.    There is really good atmosphere in this song and the cleaner guitar that comes in around 1:47 provides a good counter-punch to the other tones.

When “Thin Air” begins,  the few few seconds of it have my brain scrambling as it immediately brings to mind some other song…which as of this writing I have still failed to come up with.  That is not to cast any shadows here on Citizen, as the remainder of this song is all their own.  There is a lyric line within, “I remember when you used to say that it’s time that complicates you,” which really caught me and gave me something to ponder.. 

The next selection, “Call Your Bluff,” has a solid, quick beat at the beginning that really builds anticipation and is combined with some poignant lyrics to make this a strong part of the album.  I really liked the big sounds toward the end.

“Pedestal” is next, and all I can say is that …I really like the stark drum and the chanting lyric style…but the song kind of lost me along the way.  As per usual, that usually means I missed something and I hope that you can find it when you listen.  

You can definitely put on your dancing shoes (or boots…) for “Fight Beat” which has a great groove line right from the start and very interesting atmospherics.  It is followed by “Black and Red,” which is the only song on this record with which I could not find any connection.  On “Pedestal” I had the beat and style that I could hang onto but this selection left me behind completely.  When that happens I do try to figure out why and in this case I think it is the range of styles within the song.  Individually I like those pieces; however the arrangement here is just a little too chaotic for me. 

Next up is “Glass World.”  It has a great guitar sound at the beginning with a drum that cuts in between which really sets a solid foundation.  The pacing on this song, which is on the slower end for the record in general, is very effective in delivering the tone and mood.  That is followed by “Winter Buds” which, rather appropriately, has a melancholy ambiance and is lyrically very strong. 

A very effective and fitting end-cap for this release is provided by “Edge of the World.”  It has a driving beat that coveys an anxious energy throughout the middle part of the song. 

Overall, this an album worthy of a buy and much listening.   This band plays tight and brings a distinct style to this recording.  This is some combination of emo- dance and punk that is very effectively stitched together.  Although you can hear the various influences throughout, they blend them together well and make their own sound from those disparate pieces.  They also have a knack, even on slower paced songs, for providing a lingering dance beat just below the surface almost waiting to explode.  It does not always show itself, but it is there and gives you a sense of anticipation.  

You can check out info and music from Citizen on their Bandcamp page https://citizenmi.bandcamp.com

Please remember to support your local bands, musicians and artists – community is powerful! 

Album Review – The Tellways “Out To The Cosmos”

The Tellways - Out To The Cosmos
The Tellways – Out To The Cosmos

As I was casting about for new music this week I ended up looking toward Michigan and came upon the recent release by Detroit’s The Tellways which is titled Out To The Cosmos.  I gave it a listen and came away impressed by the composition of the music and the nice way that they weave Motown and R&B influences in with island sounds.   Soul and reggae music have always had a subtle equivalency to me and those parallels are evident within the music on this record.  

The lead-off track is “Anxious” and it is a good listen with a slightly (and appropriately) nervous undertone, simple yet poignant message and some very nice horns 🙂 

The next song is “Keepin’ Me Up” and you can definitely hear those Motown influences within the music.  That call-back to soul and R&B was evident within the first minute and yet was still subtle enough to blend in well with the Caribbean rhythms.   

“Believe Them The First Time” has a slow, soothing flow to it and delivers a direct and simple message.  I really liked how the horns were woven in here also and the way they provided accents to the other instrumentation on this song.  I have listened several times and this remains my favorite on this album.

That is followed by “I Don’t Need To Tell You” and “Cool And Luke” which flow nicely within the album although I did not think they were especially notable other than the beginning to “Cool Hand Luke.”

When I read the title of the next track, “Space Force,” I was not sure what direction it was going to take…and I am still not 100% sure of its underlying intent.  Humor? Sarcasm? It remains a mystery to me but I did find the line, “we brought our own water,” to at least be quite funny.

“Tellway Stomp” is a feel good song celebrating the band’s sound and positive influence and is followed by “You’re Really Something (2020)”, another track where you can really hear the R&B vibes.  The next three songs (“Closer – 2020”, “Let Me In -2020” and “Friendly -2020”) are solid inclusions, with the middle track of the three being the standout.  It runs a close second-place for my favorite song on the album. 

The album closes out with “Bow To Your Sensei (2020)” which is a very good (mostly) instrumental track with solid composition that includes horns, and some great guitar and bass.  It feels a little heavy when listening but puts a nice finishing touch on “Out To The Cosmos” and sent me away feeling good 🙂 

Overall I really like this band and what they bring instrumentally and with their direct lyrics.  When you listen to this record is comes across mostly as a reggae / ska mix but you definitely find yourself with several pleasing,  “Wait, what was that?,” type moments.  And it will certainly get you feeling groovy and dancing! 

You can check out all of The Tellways music and info at their Bandcamp page https://thetellways.bandcamp.com

And please remember to support your local music scene, musicians and artists.  Community is powerful 🙂 

A Burning Cold Morning (Part 78)

They were taking it slowly but as the summer progressed she became more and more convinced that Leo was the man she was going to marry.  This despite the fact that there were a few odd things about him.  He was, of course, gone often and sometimes for extended periods of time and although he always had a briefcase Amanda had never seen what was actually inside of it.  He would reply with, “trade secrets,” and “nothing you need to worry yourself about, dear,” whenever she asked him about it.  When he was home he would spend hours pouring over out-of-town newspapers and also took to spending Saturday nights out of the house, claiming to be meeting up with his company’s executives.  He never offered to take her along or introduce her to anyone that he worked with or to clients to whom he sold whatever it was that he sold.  The time they did spend together though was tender and romantic and Leo would buy her expensive gifts and take her out to eat at fancy restaurants.   He also told her that he stayed at the Radisson downtown, a very upscale place to live, although he had only taken her there on two occasions. 

Hotel Radisson courtesy lakesnwoods.com

Hotel Radisson courtesy lakesnwoods.com

Gay 90's Night Club

Gay 90’s Night Club

Naturally Leo was in fact up to his old tricks, just doing so much more carefully than he had in the past.  By the end of June of 1944 he had pulled off an additional two bank robberies, one in Wisconsin and another right on the border of South Dakota.  These had netted him a handsome profit and allowed him to continue his charade with Amanda along with courting a few other woman on the side.  His Saturday “executive meetings” were in fact nights that he spent at the Gay 90’s night club on Hennepin Avenue, watching the strip shows and buying drinks for a variety of women.   He also had another plan in motion, one which involved a trip to Flint, Michigan in early July of that year.  

When Leo arrived Flint was well into its tenure as Vehicle City, USA.  It was bustling with a population that was approaching two hundred thousand and offered all of the kinds of vice to which Leo was attracted.  He was, however, not there for that kind of distraction.  Away from the scrutiny of the parole department in Minnesota, he had decided that this particular risk was worth it.  He had come to find a job as he knew that his current story was wearing thin with Amanda and he did not want to lose her.  She represented his opportunity to “get respectable” with societal expectations and being married would also look good to his parole officer.  Such a job would also allow for him to approach that PO and get permission to leave the state, or at least that was what Leo hoped to accomplish.  Then he would be free from any worry if he was pulled over for some reason while traveling.  It was all going to fit together nicely into his plan.  Unable to completely avoid a little elegance, he took a room at the popular Durant Hotel, figuring that no one would know him so far from Minneapolis.  

Durant Hotel Flint Michigan

Durant Hotel Flint Michigan

He then set to work on finding a job, one that fit his preference for extensive travel and limited supervision.  He found such an opportunity with King Manufacturing, a company that sold septic tanks and related equipment.  They were looking for a salesman to cover twelve states and although Leo had no verifiable selling experience he convinced them to give him the job, mentioning his civil engineering degree more than once.  He spent a few days training at the Flint location, learning about the products from a portly, bald-headed man named Larry, and then hit the road with a promise to send in his receipts and be back for the quarterly meeting in September.  

Back in Minneapolis by early August, Leo did in fact receive official authorization to travel outside of the state for work relating to his employment.  The record reflects that the parole officer confirmed his employment with King Company; however, as it is a fact that they knew nothing of his criminal record it would appear that Leo ran some kind of scam on them involving a false phone number and a friend who impersonated a company executive.  The details of that, and how he explained the fact he had obtained an out-of-state job without leaving the state, are lost to history. 

The day when this approval came through marked a turning point in Leo’s life.  It was not, as you could perhaps hope, a turning point away from crime but rather one in which he realized that he could pull off his big scheme.  He had managed to secure a good job, the ability to travel and case out places to rob, a healthy bundle of ready cash and a girlfriend who thought he was someone important.  If he was careful, Leo was convinced that he would be able to live below the radar of the police, continue to fund his life through crime, and enjoy the good life.  With that in mind, he asked Amanda to marry him on August 7th and they were hurriedly married on the 29th of that same month.  A week later they purchased a house just outside of St.Paul in St. Anthony at 3100 39th Ave NE.  Life was going well for Leo.  

3100 39th Ave NE

3100 39th Ave NE

…to be continued